Why does Japan continue to produce shows like ‘My Instant Death Ability is So Overpowered’?

My Instant Death Ability is so Overpowered is darker than it seems The Truth behind this Isekai

Another season, another isekai. Like clockwork, the 2024 anime slate is crammed with fantasy escapist fare featuring overpowered protagonists in parallel worlds. The latest addition to this oversaturated genre is My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me – yes, that’s the actual title.

With a name like that, you know exactly what you’re getting here. The isekai formula is dialed up to 11, as our protagonist gains an absurdly strong instant death power upon being summoned to a magical realm. Cue nonstop wish fulfillment as he steamrolls through enemies who never stood a chance. Been there, seen that.

At this point, isekai is less of a genre and more of an epidemic. The power fantasy elements and tropey trappings are beyond repetitive. How many protagonists need to nonchalantly collect a harem while they effortlessly conquer another world? It’s enough to make any anime fan exhausted.

And yet, the isekai train keeps chugging in Japan. What gives? Why does the well never run dry for these cookie-cutter shows? Is it the uninspired light novel authors recycling the same tropes? Or is it the animation studios churning out isekai sequels for easy money?

Why Does Japan Continue to Churn Out so many Overpowered MC Isekai Anime?

My Instant Death Ability is so Overpowered Why do Japan continue to produce shows like 'My Instant Death Ability is So Overpowered'?
Takatou Yogiri | Courtesy of Okuruto Noboru

The isekai genre’s obsession with overpowered main characters is one of its most tiresome tropes. As we said, it feels like every new isekai just photocopies the last – the same cocky personalities, the same absurd power levels that break the story, same lack of an engaging plot.

So why does Japan keep churning out this uninspired dreck?

  • The main issue seems to be low-quality writing. Too many isekai authors rely on the overpowered protagonist as a crutch for lazy wish fulfillment rather than strong storytelling. Building a nuanced character and plot takes skill, while just handing the MC god-level powers from the start is an easy cop-out.
  • With little effort, authors can fulfill otaku fantasies of effortlessly dominating a fantasy world. And even the best anime studios can only do so much with poorly written source material. So, in many cases, stellar animation talent is being wasted on adapting subpar isekai light novels.

 

Of course, some series demonstrate you can make an overpowered protagonist work with the right creative vision. Titles like That Time I Got Reincarnated as a Slime and Eminence in Shadow show protagonists navigating their power in engaging ways. But too many isekai take the quick, creatively bankrupt route of using an OP MC to mask weak storytelling.

Until more authors put in the hard work of developing layered stories versus relying on cliched tropes, isekai anime will likely keep churning out carbon copy power fantasies. Overpowered characters aren’t inherently bad, but they require thoughtful writing to elevate an isekai beyond wish-fulfillment filler.

Conclusion:

In the end, the proliferation of overpowered protagonists in isekai likely comes down to market forces. As long as there is reader demand for easy wish-fulfillment stories, authors and studios will keep supplying them. While this overreliance on tropes and shortcuts may frustrate some fans, the isekai genre doesn’t seem to be slowing down anytime soon.

For those seeking something beyond cookie-cutter power fantasies, be sure to check out our weekly anime newsletter. We dig deep to uncover hidden gems and new titles that actually bring creativity to the table. Each issue also features unique insights, like how certain anime reflect currents in Japanese culture. So, if you want recommendations beyond the repetitive isekai in the seasonal lineup, make sure to subscribe!

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